TERRY TEW ONLINE HIRE CATALOGUE
The ATC SCM20ASL Pro is an active freestanding professional 2-way studio reference monitor, well suited for smaller studios or nearfield use.
Housed in a solid, aluminium case, the ATC SCM20ASL Pro is rugged and well-damped, able to stand up to all that you can put through it. The bass driver is the acclaimed 75mm ATC SL soft-dome, coupled with a soft-dome HF driver to give you precise, accurate stereo imaging with good dispersion.
Driving the speakers on the SCM20ASL Pro is a bi-amp pack, comprising a 250W amp for the bass and mids and a 50W amp to power the top end – plenty of full range power to mix your hits on. Having built the drivers and the amp together the ATC SCM20ASL Pro has excellent low distortion levels and high linear response. The LF settings can be adjusted through five steps on the back of the monitor.
The Smart Videohub CleanSwitch 12 x 12 6G-SDI from Blackmagic Design is a mixed format router with 12 6G-SDI inputs and 12 6G-SDI outputs for routing any combination of SD, HD, Ultra HD 4K, and DCI 4K video. The CleanSwitch model allows for re-timing of SDI feeds, so all switches are timed to happen between frames. It supports 4:2:2 and 4:4:4 color sampling and 10-bit processing for smoother gradations. Housed in a 1RU frame, the Smart Videohub is ideal for use in both large broadcast systems or portable mini racks for live productions. A built-in LCD lets view your sources directly on the router itself, with simple push buttons and spin knob provided for control. Routing can also be controlled using dedicated remote panels or over Ethernet using the included software for Mac OS X and Windows. You can even use the available iPad app to change routing over your wireless network.
- 12x 6G-SDI inputs / 12x 6G-SDI outputs
- Auto-detects between SD, HD, Ultra HD 4K, and DCI 4K and instantly switches standards
- Built-in SDI reclocking on every SDI input
- Supports 8-bit, 10-bit, and 12-bit 4:2:2 and 4:4:4 signals
- 4:2:2 or 4:4:4 color sampling with 10-bit processing
- UHD 4K (3840 x 2160) up to 30p
- Supports DCI 4K (4096 x 2160) at 24p
- HD Video Resolutions up to 1080p60
- Supports 16 channels of embedded audio on each SDI signal
- Reference input compatible with black burst and tri-sync
- Built-in video monitoring and spin knob control
- Push buttons on front panel
- On-screen labels support Unicode so they work in non-Roman character sets such as Chinese, Japanese, Korean, Russian, German, French, Spanish, and more
- Videohub control software included for control over Ethernet
- Ethernet control allows direct connection to the computer network and is compatible with Videohub Smart Control and Videohub Master Control panels
- Apple iPad control panel app available
Blackmagic Design’s SmartView Duo comprises a pair of side-by-side 8″ LCD monitors – both with an auto-selecting 3G/HD/SD-SDI input – that are housed in a 3 RU-high, rackmountable form factor. Ideal for live broadcast and mobile video production, the slim SmartView Duo features integrated tally (input via a standard 9-pin D connector) that clearly shows video status by displaying a red, green, or blue ring that borders the screen in question.
The 800 x 480-resolution displays’ auto-switching SDI inputs accept an extremely wide range of digital signals, from standard-def 525i and 625i to full progressive high-definition 1080p60 and several flavours of 2K-resolution video. There’s a loop-out BNC for both inputs, with re-clocking of the signal. For screen configuration and settings, plus firmware updates, the SmartView Duo has both USB 2.0 and Ethernet inputs.
For the SmartView Duo, a sleek design pays practical dividends. The thinness of the dual-display panel (less than 1″) means it’s easier to install, transport, and ship. The lack of mechanical controls on the panel itself takes inadvertent adjustments out of the equation. The auto-image-flip feature means that the displays can be rotated upside down so you can achieve the best viewing angle.
Diffused Polycarbonate with fluorescent tube and ECG integral.
The T8 HFI is a popular option for window and shop displays, also used widely within the TV and theatre industry. Plug in, clip to walls, ceilings, suspend at any angle, or simply lean one in the corner, instant effect easy to use.
The standard tube is Colour 840 (Cool White) but various colour cover options are available.
|HFI T8 18w||18||765||100||565||18|
|HFI T8 30w||30||1200||100||870||35|
|HFI T8 36w||36||1500||100||1170||35|
|HFI T8 58w||58||1800||100||1575||54|
|HFI T8 70w||70||2060||100||1735||64.5|
The Hawk-Woods APD Power Distribution Adaptor provides todays sound recordist with a massive amount of available power – and all from the industry standard NP battery range.
Designed as a convenient alternative to a battery box, or similar heavy duty additional power source. The APD allows the operator to utilise the battery range most are already carrying by taking up to 6 NP batteries NP-35, NP-70. 12V regulated output is provided via four female XLRs and also by four Hirose sockets which are switched in pairs.
The power potential with this piece of equipment is phenomenal; if six Hawk-Woods NP-70 batteries are inserted, there is 420 Watts of available power. With a side mounted handle, it can be either trolley-mounted or hand-held to suit individual requirements.
- Output: 12V regulated / up to 450 Watts
- Output Types: 4x Hirose sockets / 4x XLR4F sockets
- Battery level indicator
- Operates on 1 to 6 NP1 Batteries
- Mixed battery and multi-chemistry compatible
The CountDown Touch speaker timing system features have been improved to create an easy to use presenter timing product aimed at technicians themselves. Inspired by touch screen phones etc. the CountDown Touch works using the same principles. Traffic light colours on the display gives the presenter another comfortable and familiar sense of time frame in which the presentation is enclosed.
CountDown Touch has 4 memory locations for fast programming. It can count time up as well as down. It has an option to count past zero when in countdown mode. CountDown Touch also can show the live time of the day.
A totally new concept in underwater loudspeaker design. A 20W, 16ohm unit complete in a self-contained ABS fitting-box. Aesthetically pleasing, suitable for fitting to pool sides or suspending in the water for temporary use.
The Neptune is the perfect answer for background music or for music to accompany swimming instruction and synchronised swimming.
- Max Power: 20W peak
- Impedance: 16ohm at 1kHz
- Frequency Response: 40Hz – 16kHz
- Sensitivity: Better than 91dB
- Operating Depth: 5m maximum
- Dimensions: H15 x W15 x D10cm
- Weight: 1.3kg
Incredibly sleek and compact, the Windshield Kit, MiniCMIT offers finely-tuned wind and handling noise protection for the new Schoeps MiniCMIT.
- Combined 62- and 72-Shore single Lyres (blue), pre-fitted – for optimal mic compliance*;
- Short, lightweight XLR connector (blue end-cap on XLR-3F);
- Professional quality Mogami cable;
- Optimised windshield size, weight and overall profile for the Schoeps MiniCMIT mic;
- This kit features contrasting black basket rings, blue Lyres and blue XLR end-cap.
The MiniCMIT Miniature Shotgun Microphone from Schoeps is a microphone that offers the characteristics of a CMIT 5 in more compact form. It can be used to capture audio in various environments such as for instruments, singers, speakers, and more.
The MiniCMIT like the CMIT5 both have an identical frequency-response curve and are powered with P12 & P48 phantom power. Either microphone can be interchanged without altering the sound. In addition, the MiniCMIT has a fixed 4th order low-cut filter at 70 Hz.
A professional 100v line amplifier with a 60w output for commercial applications. Being 2U in height but only half width makes this one of the most compact amplifiers on the market today. Two microphone inputs in the form of 6.3mm jacks and a line input is all controlled via the rotary dials on the front panel. Speaker connections are binding posts and can be found on the rear of the amplifier. This amplifier can also be used in an 8Ohm configuration.
The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.
The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.
The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969.
With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.
Available in black or silver.
The C480 B is the pre-amp for the ultralinear series capsules, CK61, CK62, CK63, and CK69 ULS, and represents one of the quietest microphone amps ever built. The C480 B offers excellent audio quality and maximum flexibility. Its electronic circuitry coupled with a transformerless output stage assures completely linear transfer characteristics across the entire frequency range, while achieving self-noise figures close to the theoretical minimum.
A specially designed output stage drives difficult loads like excessively long cables without harming the signal quality. The C480 B offers a two-step high-pass filter and two gain stages of either -10dB or +6dB.
The C568 B professional small condenser capsule combines high directivity and a wide frequency range. It is a perfect tool for theater, sound reinforcement and film/TV applications. Due to its compact and lightweight design, the C568 B is ideal for camera-mount use.
Below 500Hz, it functions as a hypercardioid microphone; above 500Hz, the acoustic interference tube introduces increasing directivity. A switchable 12dB/octave 120Hz bass roll-off filter effectively suppresses impact and wind noise. The C568 B’s rugged, all-metal body contains the built-in pre-amp, which requires 9-52V phantom power. The package includes a special foam windscreen as well as a stand adapter.
The C747 V11 is a pencil-sized, studio quality, hyper-cardioid, condenser microphone with a flat frequency response and a clean off-axis response. Popular with broadcasters and installers for high quality lectern amplification, it is also good for guitar, piano, drum and overhead applications.
Excellent off-axis response allows the speaker to move without change in amplified sound, while the enhanced, hyper-cardioid polar pattern ‘eliminates noise from the sides’. The second generation of this microphone also boasts RF interference protection from mobile phones and wireless microphones. A fine tuned frequency response suits better pickup of voice.
The microphone, finished in ‘stage blue’ has a 3 metre captive cable, connected to an extended-length XLR connector containing a phantom power adapter. The adapter has a switch to enable a bass-cut filter for reducing footfall noise.
Output connector: 3-pin, male XLR. Applications: Conference and lectern, pulpits, broadcast and recording, on-stage pick up in theatre. Response: 30Hz-18kHz. Sensitivity: 8.5mV/Pa. Phantom power: 9-52V DC
The CK61 ULS professional small condenser capsule is characterized by a ruler-flat frequency response and an unmatchable consistent cardioid polar pattern. It is the ideal choice for critical recording and live-sound applications where consistent suppression of off-axis sound is an important requirement. The CK61 ULS is widely used in broadcast and recording studios as well as on stages worldwide.
The CK61 ULS works exclusively with the C480 B pre-amp. To ensure an extra-long life and a reliable connection, the capsule is equipped with large-area, self-cleaning, gold-plated contacts. Careful attention to detail and highest manufacturing standards make the CK61 Ultra Linear Series capsule the choice of experienced technicians worldwide.
The AKG CK62 is an omni-directional condenser microphone capsule designed for use with the C480 power supply module. As part of AKG’s Ultra Linear Series, the CK62 delivers the sonic performance and signal response required for professional recording and sound reinforcement applications.
The omni-directional pattern provides a generous pick area, allowing for greater ambiance capturing and signal response at the off-axis sections of the microphone. It’s wide, flat frequency response enables accurate reproduction of vocals, instruments, ambiance and more.
The CK63 ULS professional small condenser capsule is characterized by a ruler-flat frequency response. Its consistent hypercardioid polar pattern provides unmatched channel separation, exceptional off-axis rejection and high gain before feedback. The CK63 ULS is widely used in broadcast and recording studios as well as on stages around the world.
The CK63 ULS works exclusively with the C480 B pre-amp. To ensure an extra-long life and a reliable connection, the capsule is equipped with large-area, self-cleaning, gold-plated contacts. Careful attention to detail and the highest manufacturing standards make the Ultra Linear Series modular system the choice of experienced technicians worldwide.
The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it’s predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction.
The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum.
In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.
This AKG D 190 E is a general purpose dynamic microphone, great for use in any type of occasion. This AKG microphone uses electromagnetic induction to produce superior quality sound, regardless of the user’s intended application. With its cardioid polar pattern, the AKG D 190 E allows the user to be clearly understood whether speaking or singing despite any background music, filtering out unintended noise. Using its shock mounted transducer, this dynamic microphone produces superior fidelity sound no matter where the source had come from.
Using the built in noiseless toggle switch, this AKG microphone allows the user to easily begin and end the performance without unintended sounds being transmitted accidentally, leading to a superior level of stage professionalism. With its die cast metal cylinder and matte finished nickel plating, the AKG D 190 E is an exceptionally durable microphone that will last through numerous shows of any intensity level.
The D58 E is a dynamic, hypercardioid, close-talking microphone for talkback and intercom applications. In order to improve speech intelligibility in noisy environments, the D58 E is tuned to a mid-frequency range. Thus it compensates for proximity effect and provides a flat response to near sources.
The D58 E is rugged and lightweight, operating over a wide range of temperatures and humidity. Using a dynamic capsule, the microphone does not require any powering.
The CK91 high-performance small condenser capsule is characterized by a smooth and well-balanced frequency response and a consistent cardioid polar pattern. It is the ideal choice for critical live and studio broadcast applications where consistent suppression of off-axis sound is required.
The CK91 is part of the Blue Line Series and works exclusively with the SE300 B pre-amp module. Its robust Modulock bayonet coupling allows quick and easy changing of the capsules.
The XSP-15A powered speaker boasts a 15″, 2-way active loudspeaker and a 400W bi-amplifier system encased in a lightweight cabinet. It features a 1.75″ compression driver, time-aligned crossover, XLR and RCA balanced inputs, a built-in mixer, and an ABS nylon fiber cabinet with handle and full grill.