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The ATC SCM20ASL Pro is an active freestanding professional 2-way studio reference monitor, well suited for smaller studios or nearfield use.
Housed in a solid, aluminium case, the ATC SCM20ASL Pro is rugged and well-damped, able to stand up to all that you can put through it. The bass driver is the acclaimed 75mm ATC SL soft-dome, coupled with a soft-dome HF driver to give you precise, accurate stereo imaging with good dispersion.
Driving the speakers on the SCM20ASL Pro is a bi-amp pack, comprising a 250W amp for the bass and mids and a 50W amp to power the top end – plenty of full range power to mix your hits on. Having built the drivers and the amp together the ATC SCM20ASL Pro has excellent low distortion levels and high linear response. The LF settings can be adjusted through five steps on the back of the monitor.
ATEM Television Studio HD is the first live production switcher designed for both broadcasters and AV professionals. It includes 4 SDI and 4 HDMI inputs so you can connect up to 8 sources, and it supports all formats up to 1080p60! Packed with high end broadcast features, ATEM Television Studio HD has re-sync on all inputs so you always get clean switching whether you’re using professional or consumer cameras. Plus, you get multiview output so you can see all of your sources, preview and program on a single screen, aux out, built in talkback, 2 still stores, an audio mixer, camera control unit and more!
The Cisco SPA112 is an Analog Telephone Adapter (ATA) with 2 FXS and 1 10/100 WAN port. This Cisco SPA112 is an intelligent low-density Voice over IP (VoIP) gateway that enables carrier-class residential and business IP Telephony services delivered over broadband or high-speed Internet connections to two standard RJ-11 telephones. The LED lights indicate the state of each call and react to users actions such as on/off hook and hook flash.
- Data networking
MAC address (IEEE 802.3)
IPv4 (RFC 791) upgradeable to IPv6 (RFC 1883)
Address Resolution Protocol (ARP)
Domain Name System (DNS) A record (RFC 1706) and SRV record (RFC 2782)
Dynamic Host Configuration Protocol (DHCP) client (RFC 2131)
Point-to-Point Protocol over Ethernet (PPoE) client (RFC 2516)
Internet Control Message Protocol (ICMP) (RFC 792)
TCP (RFC 793)
User Datagram Protocol (UDP) (RFC 768)
Real Time Protocol (RTP) (RFC 1889) (RFC 1890)
Real Time Control Protocol (RTCP) (RFC 1889)
VLAN tagging (IEEE 802.1p)
Simple Network Time Protocol (SNTP) (RFC 2030)
SIP channels support for both UDP and TCP transport
- Voice gateway
SIPv2 (RFC 3261, 3262, 3263, and 3264)
SIP proxy redundancy: Dynamic through use of DNS SRV A records
Reregistration with primary SIP proxy server
SIP support in network address translation (NAT) networks (including Serial Tunnel [STUN])
Highly secure (encrypted) calling using Secure RTP (SRTP)
Codec name assignment
G.711 (A-law and ¥ì-law)
G.726 (32 kbps)
Adjustable audio frames per packet
Dual-tone multifrequency (DTMF): In-band and out-of-band (RFC 2833) (SIP information)
- Voice features
Independent configurable dial plans with interdigit timers and IP dialing (1 per port)
Call progress tone generation
Jitter buffer: Adaptive
Frame loss concealment
Echo cancellation (G.165 and G.168)
Voice activity detection (VAD)
Comfort noise generation (CNG)
Attenuation and gain adjustments
Flash hook timer
Message waiting indicator (MWI) tones
Visual messaging waiting indicator (VMWI) using frequency shift keying (FSK)
Hook flash event signaling
Caller ID generation (name and number): Bellcore, DTMF, and European Telecommunications Standards Institute
Streaming audio server: Up to 10 sessions
Music on hold
Call waiting, call waiting and caller ID
Caller ID with name and number
Caller ID blocking
Selective and anonymous call rejection
Call forwarding: No answer, busy, and all
Do not disturb
Call transfer, call return, and call back on busy
Three-way conference calling with local mixing
Per-call authentication and associated routing
Call blocking with toll restriction
Distinctive ringing: Calling and called number
Off-hook warning tone
Advanced inbound and outbound call routing
Hotline and warmline calling
Long silence (configurable time setting) silence threshold
Disconnect tone (for example, reorder tone)
Configurable ring frequency
Ring validation time setting
Tip and ring voltage adjustment setting
Ring indication delay setting
- Fax capability
Fax tone detection pass-through
Fax pass-through using G.711
Real-time fax over IP using T.38 fax relay (T.38 support is dependent on fax machine and network and transport resilience)
Password-protected system reset to factory default
Password-protected administrator and user access authority
Provisioning, configuration, and authentication
HTTPS with factory-installed client certificate
HTTP digest: Encrypted authentication using MD5 (RFC 1321)
Up to 256-bit Advanced Encryption Standard (AES) encryption
SIP Transport Layer Security (TLS)
- Provisioning, administration, and maintenance
Web browser administration and configuration using integral web server
Telephone keypad configuration with interactive voice prompts
Automated provisioning and upgrade using HTTPS, HTTP, and Trivial File Transfer Protocol (TFTP)
Asynchronous notification of upgrade availability using Notify
Nonintrusive, in-service upgrades
Report generation and event logging
Statistics in Bye message
Debug server records and syslog: Per-line configurable web browser
Ping and traceroute diagnostics
Configuration management: Backup and restore
Support for Bonjour
- Physical interfaces
1 WAN 100BASE-T RJ-45 Ethernet Port (IEEE 802.3)
2 RJ-11 FXS phone ports for analog circuit telephone device (tip and ring)
- Subscriber line interface circuit (SLIC)
Ring voltage: 40-90 Vpk configurable
Ring frequency: 20-25 Hz
Ring waveform: trapezoidal
Maximum ringer load: 5 ringer equivalence numbers (RENs)
On-hook voltage (tip and ring): -46 to -56V
Off-hook current: 18-25 mA
Terminating impedance: 600 ohm resistive or 270 ohm + 750 ohm
150 nF complex impedance
Frequency response: 300-3400 Hz
Return loss (600 ohm, 300-3400 Hz): up to 20 dB
Insertion loss (1 Vrms at 1 kHz): 3-4 dB
Total harmonic distortion (THD) (350 mV peak at 300 Hz): up to 3%
Idle channel noise: 72 dB (typical)
Longitudinal balance: 55 dB (typical)
Off-hook threshold (line seizure): Rdc < 1000 ohm
On-hook threshold (line release): Rdc >10000 ohm
Rdc DC supervisory range: Rdc > 450 ohm
- Regulatory compliance
FCC (Part 15 Class B), CE, ICES-003, A-Tick certification, Restriction of Hazardous Substances (RoHS), and UL
- Power supply
DC input voltage: 5V DC at 2.0A maximum
Power consumption: 5W
Switching type (100-240V) automatic
Power adapter: 100-240V and 50-60 Hz (26-34 VA) AC input, with 1.8m cord
Indicator lights and LEDs
Phone 1, phone 2, Internet, and power
Quick Start Guide
Administration Guide (available online)
Provisioning Guide (available online)
Dimensions (W x H x D)
3.98 x 3.98 x 1.10 in. (101 x 101 x 28 mm)
5.40 oz (153 g)
32 to 113¨¬F (0 to 45¨¬C)
-77 to 158¨¬F (-25 to 70¨¬C)
10 to 90% noncondensing
10 to 90% noncondensing
The CL-12 attaches directly to any 6-Series mixer via a single USB cable that provides both power and control, making transitions between cart-based setups and over-the-shoulder workflows quick and easy.
The CL-12 will be compatible with the 688, upon shipping. Future support for both the 664 and 633 will follow. With the CL-12, the 688 gains a 3-band parametric equalizer for each of its 12 inputs, shortcut access to SuperSlot™ wireless receiver data (when used with the SL-6), and MixAssist™ auto-mix monitoring.
The CL-12 also includes ports for a USB keyboard connection for efficient metadata entry, remote control via 3rd-party applications (such as Ambient Beetle Bluetooth dongle, Timecode Systems’ :wave metadata hub), and for powering an optional USB lamp.
The Clarity M from tc electronic provides precise visual metering that helps make crucial mix and mastering decisions during audio production, mixing, mastering, or sound for picture post production. The seven-inch high-resolution display can show a quick overview, or the ever-important fine points at a glance. Aside from standalone operation, the unit supports plug-in metering via all modern plug-in standards, allowing a user to work with any preferred DAW.
Digital connectivity via the included custom breakout cable hosts six channels of unbalanced AES3 digital audio, connecting the meter to an external mixing desk, console, or audio interface for broadcast-grade 5.1 metering. Also available is a stereo optical input that can connect to an audio interface through TOSLink for maximum flexibility. The breakout cable allows for hooking up a two-button footswitch for easy resetting of the meter, as well as for triggering play and pause.
- Professional stereo and 5.1 audio meter for mixing, mastering and post production
- Compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59
- State-of-the-art True-Peak Meter identifies clipping in DACs, CODECs and downstream filters
- 7″ high resolution LCD display for precision metering in all studio environments
- Six input channels of unbalanced AES3 digital audio on 75-Ohm BNC connectors for broadcast-grade 5.1 metering
- Downmix compliance meter based on the company’s industry-standard loudness measurement algorithms
- USB connection for hassle-free AAX Native, Audio Units, and VST plug-in metering
- LM6 Loudness Radar Meter provides all essential loudness monitoring information on a single screen
- High accuracy real time analyzer with 1/3 octave resolution and individual band zoom
A professional 100v line amplifier with a 60w output for commercial applications. Being 2U in height but only half width makes this one of the most compact amplifiers on the market today. Two microphone inputs in the form of 6.3mm jacks and a line input is all controlled via the rotary dials on the front panel. Speaker connections are binding posts and can be found on the rear of the amplifier. This amplifier can also be used in an 8Ohm configuration.
The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.
The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.
The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969.
With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.
Available in black or silver.
The C480 B is the pre-amp for the ultralinear series capsules, CK61, CK62, CK63, and CK69 ULS, and represents one of the quietest microphone amps ever built. The C480 B offers excellent audio quality and maximum flexibility. Its electronic circuitry coupled with a transformerless output stage assures completely linear transfer characteristics across the entire frequency range, while achieving self-noise figures close to the theoretical minimum.
A specially designed output stage drives difficult loads like excessively long cables without harming the signal quality. The C480 B offers a two-step high-pass filter and two gain stages of either -10dB or +6dB.
The C568 B professional small condenser capsule combines high directivity and a wide frequency range. It is a perfect tool for theater, sound reinforcement and film/TV applications. Due to its compact and lightweight design, the C568 B is ideal for camera-mount use.
Below 500Hz, it functions as a hypercardioid microphone; above 500Hz, the acoustic interference tube introduces increasing directivity. A switchable 12dB/octave 120Hz bass roll-off filter effectively suppresses impact and wind noise. The C568 B’s rugged, all-metal body contains the built-in pre-amp, which requires 9-52V phantom power. The package includes a special foam windscreen as well as a stand adapter.
The C747 V11 is a professional shotgun condenser capsule with a flat frequency response and a clean off-axis response. Due to its brilliant sound reproduction, it is perfect for guitar, piano, drum and overhead recordings. Thanks to its inconspicuous appearance, it is also widely used as a speech and lectern microphone.
The C747 V11 features an integrated RFi shield to block out unwanted interference from mobile phones, wireless microphones and other wireless devices. The C747 V11 ships with an extensive accessory set including a shock mount adapter, mini-gooseneck, stand adapter, mounting clamp, thread link and windscreen.
The CK61 ULS professional small condenser capsule is characterized by a ruler-flat frequency response and an unmatchable consistent cardioid polar pattern. It is the ideal choice for critical recording and live-sound applications where consistent suppression of off-axis sound is an important requirement. The CK61 ULS is widely used in broadcast and recording studios as well as on stages worldwide.
The CK61 ULS works exclusively with the C480 B pre-amp. To ensure an extra-long life and a reliable connection, the capsule is equipped with large-area, self-cleaning, gold-plated contacts. Careful attention to detail and highest manufacturing standards make the CK61 Ultra Linear Series capsule the choice of experienced technicians worldwide.
The CK63 ULS professional small condenser capsule is characterized by a ruler-flat frequency response. Its consistent hypercardioid polar pattern provides unmatched channel separation, exceptional off-axis rejection and high gain before feedback. The CK63 ULS is widely used in broadcast and recording studios as well as on stages around the world.
The CK63 ULS works exclusively with the C480 B pre-amp. To ensure an extra-long life and a reliable connection, the capsule is equipped with large-area, self-cleaning, gold-plated contacts. Careful attention to detail and the highest manufacturing standards make the Ultra Linear Series modular system the choice of experienced technicians worldwide
The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it’s predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction.
The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum.
In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.
The CK91 high-performance small condenser capsule is characterized by a smooth and well-balanced frequency response and a consistent cardioid polar pattern. It is the ideal choice for critical live and studio broadcast applications where consistent suppression of off-axis sound is required.
The CK91 is part of the Blue Line Series and works exclusively with the SE300 B pre-amp module. Its robust Modulock bayonet coupling allows quick and easy changing of the capsules.
The XSP-15A powered speaker boasts a 15″, 2-way active loudspeaker and a 400W bi-amplifier system encased in a lightweight cabinet. It features a 1.75″ compression driver, time-aligned crossover, XLR and RCA balanced inputs, a built-in mixer, and an ABS nylon fiber cabinet with handle and full grill.
The ILD252 Loop Driver has been designed for a wide range of applications such as medium sized churches, conference rooms and similar. The equipment maintains the traditional Ampetronic standard of high quality vocal and music reproduction, while adding new features to improve performance and operational facilities.
Full monitoring of the operation, in addition to the comprehensive LED compression and current drive metering, now includes a novel system for monitoring of the loop condition, so that high-resistance and low-resistance loops are detected at power-up time. Continuous monitoring of overload conditions is also provided. Front panel LED’s indicate all conditions. The equipment is designed to be fail–safe.
A new addition is the provision of an integral adjustable corrector to deal with the frequency -dependent loss caused by metal in buildings.
The ILD252 uses constant – current driving of the loop which is necessary to ensure full compliance with all national and international standards. The equipment incorporates the necessary safeguards to ensure that all present EMC and safety regulations are fully met, under all practical operating conditions.
This model is designed to cover loop areas up to square areas of 250 square metres, or rectangular areas of over 400 square metres, depending on loop-aspect ratio.
The ILD300 is built in a half rack-width case. On the rear it has a single balanced microphone input using an XLR connector, with +15V phantom power available. A balanced line input is provided using a 6.35mm 3-pole jack socket, and an input / output using a 6.35mm three-pole jack for recording, slave and insert purposes. A mini-DIN connector provides an ancillary DC outlet, +/- 15V DC, for powering accessories such as Ampetronic’s pre-amplifiers, See Ampetronic Adapters and Pre-amplifiers. A preset control sets metal-loss correction. The IEC power inlet has an associated fuse, the loop output uses a detachable connector.
The front has recessed preset controls for sensitivity of the microphone and line inputs, drive current. Two four-LED displays indicate compression and loop current. LEDs indicate overload, over heat and loop error conditions. A 3.5mm stereo jack socket provides access to the actual audio signal in the loop for use with headphones. The power switch has an associated LED. It may be used free-standing or mounted in a rack or on a wall using accessory brackets.
The Ampetronic ILD9 Induction Loop Driver is designed to cover loop areas up to 500m². Several units can be connected together in Master Slave configuration for driving single turn loops covering much larger areas such as Cathedrals, sports halls and theatres. It can also be used for large conference rooms and other areas where specialised requirements apply. In these environments, the equipment can be used to drive phased arrays for low-spill operation. These specialised loop layouts can be designed by Ampetronic Ltd. who also supply the precision phase shifter needed for this work.
The MegaVox Pro is considered the industry standard portable PA system on the market. It is battery powered, which makes its completely portable and versatile. Thousands report that it’s the most reliable portable public address system ever designed. With a powerful re-entrant horn driven speaker, the MegaVox Pro is ideal for voice amplification over long distances.
The MegaVox is stand mountable and includes a convenient shoulder strap for easy carrying. Standard Bluetooth, one wired mic, and a siren alert button are included with every MegaVox. The system also includes up to two built-in wireless receivers. The MegaVox has an optional built-in transmitter that wirelessly connects to one or more MegaVox AIR battery powered companion speakers. Use the MegaVox outdoors for speaking engagements, announcements, band practice, track meets, emergency preparedness, auctions, shooting ranges, military trainings, and more!
- Reaches a distance of 300+ feet
- 119 dB of clear sound
- 20W AC/DC mode
- Up to two built-in wireless receivers
- Optional built-in transmitter that wirelessly connects to one or more MegaVox AIR battery powered wireless companion speakers
- Standard built-in Bluetooth
- Signal alert button
- Built-in rechargeable battery operates 6 – 8 hours on a single charge
- High efficiency re-entrant horn driver
- External speaker output powers optional MegaVox Pro unpowered or powered AIR companion speaker
The ASL Pro Series offers six beltpack options, with three each in ABS or metal cases. (Metal case designated by the suffix “M”.) All are powered via the intercom party line by a Master Speaker Station or Power Supply, Also, all six feature a sprung metal belt clip.
The corresponding models in metal and ABS cases are functionally identical, allowing both types to be “mixed and matched” in any system.
The CAP series are professional 100V multi-channel power amplifiers. The CAP248 offers the two channels and has an output power of 480 Watt. This way, a flexible solution is created for multi-zone audio distribution systems with two independent zones. They are designed as no-nonsense amplifiers with only the necessary controls and connections, which creates great simplicity in use and installation. A high efficiency and reliability of the devices is achieved by using switching power supplies in combination with Class-D amplifier technology. A temperature controlled fan constantly keeps all parts within the right operation range, while avoiding excessive buzz. A built-in multipurpose protection circuit protects against DC malfunction, Short circuit, overheating, overload and limits the signal when necessary. The input connections are performed using balanced XLR connectors and Link output connectors are provided for link through to other amplifiers. Besides, a high-pass filter switch (400 Hz) and a Gain adjustment potentiometer are provided for each channel. The output connections are performed using reliable terminal block connectors and this all is housed into a solid constructed, double rack space (2 HE) 19” rack mounting housing.
With three switchable polar patterns, the large-diaphragm Audio-Technica AT4050 exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity.