TERRY TEW ONLINE HIRE CATALOGUE
Echo Show has eight microphones and beam-forming technology so it can hear you from across the room—even while music is playing. Echo Show is also an expertly tuned speaker that can fill any room with immersive audio powered by Dolby. When you want to use Echo Show, just say the wake word “Alexa” and Echo Show responds instantly.
The Smart Videohub CleanSwitch 12 x 12 6G-SDI from Blackmagic Design is a mixed format router with 12 6G-SDI inputs and 12 6G-SDI outputs for routing any combination of SD, HD, Ultra HD 4K, and DCI 4K video.
The CleanSwitch model allows for re-timing of SDI feeds, so all switches are timed to happen between frames. It supports 4:2:2 and 4:4:4 color sampling and 10-bit processing for smoother gradations. Housed in a 1RU frame, the Smart Videohub is ideal for use in both large broadcast systems or portable mini racks for live productions. A built-in LCD lets view your sources directly on the router itself, with simple push buttons and spin knob provided for control. Routing can also be controlled using dedicated remote panels or over Ethernet using the included software for Mac OS X and Windows. You can even use the available iPad app to change routing over your wireless network.
- 12x 6G-SDI inputs / 12x 6G-SDI outputs
- Auto-detects between SD, HD, Ultra HD 4K, and DCI 4K and instantly switches standards
- Built-in SDI reclocking on every SDI input
- Supports 8-bit, 10-bit, and 12-bit 4:2:2 and 4:4:4 signals
- 4:2:2 or 4:4:4 color sampling with 10-bit processing
- UHD 4K (3840 x 2160) up to 30p
- Supports DCI 4K (4096 x 2160) at 24p
- HD Video Resolutions up to 1080p60
- Supports 16 channels of embedded audio on each SDI signal
- Reference input compatible with black burst and tri-sync
- Built-in video monitoring and spin knob control
- Push buttons on front panel
- On-screen labels support Unicode so they work in non-Roman character sets such as Chinese, Japanese, Korean, Russian, German, French, Spanish, and more
- Videohub control software included for control over Ethernet
- Ethernet control allows direct connection to the computer network and is compatible with Videohub Smart Control and Videohub Master Control panels
- Apple iPad control panel app available
The Blackmagic Design SmartScope Duo 4K Rack-Mounted Dual 6G-SDI Monitors is a monitoring solution for studio and location productions, displaying video with resolutions up to 3840 x 2160 at 30p. It features two 8″ monitors each with a loop-through SDI input and output. The inputs are auto-sensing/selecting so you don’t have to worry about matching the input format; the monitor will display any supported format that you feed it.
You can choose to select to display either the input video or one of six scope displays, while the input video passes through the monitor to downstreamed devices.
Blackmagic Design’s SmartView Duo comprises a pair of side-by-side 8″ LCD monitors – both with an auto-selecting 3G/HD/SD-SDI input – that are housed in a 3 RU-high, rackmountable form factor. Ideal for live broadcast and mobile video production, the slim SmartView Duo features integrated tally (input via a standard 9-pin D connector) that clearly shows video status by displaying a red, green, or blue ring that borders the screen in question.
The 800 x 480-resolution displays’ auto-switching SDI inputs accept an extremely wide range of digital signals, from standard-def 525i and 625i to full progressive high-definition 1080p60 and several flavours of 2K-resolution video. There’s a loop-out BNC for both inputs, with re-clocking of the signal. For screen configuration and settings, plus firmware updates, the SmartView Duo has both USB 2.0 and Ethernet inputs.
For the SmartView Duo, a sleek design pays practical dividends. The thinness of the dual-display panel (less than 1″) means it’s easier to install, transport, and ship. The lack of mechanical controls on the panel itself takes inadvertent adjustments out of the equation. The auto-image-flip feature means that the displays can be rotated upside down so you can achieve the best viewing angle.
The Blackmagic Design UltraStudio Mini Recorder allows you to capture an SDI or HDMI camera signal and transfer it to your computer for editing and other applications. The Mini Recorder features SDI and HDMI inputs and a Thunderbolt output, and supports resolutions up to 1080p30 / 1080i60.
- 3 Gb/s SDI Input
SDI input connection for decks, routers and cameras so you can record amazing quality 10-bit video in SD and HD
- HDMI Input
HDMI input for amazing quality record direct from cameras, and set top boxes and gaming consoles
- Thunderbolt Connection
Get blazing speeds for recording SD and HD up to 1080iHD
The Clarke Devil 7015 Electric Fan Heater is ideal for industrial applications including workshops, factories and garages, with the high and low heat settings with adjustable thermostatic control and the thermal cut-out overheat protection. Insulated handles allow for safe handling whilst the heater is still warm.
The M4 is a 2-way high performance stage monitor employing an integrated 15” LF and 1.3” exit horn loaded HF coaxial driver design that utilizes neodymium magnets. The constant directivity dispersion of 50° x 70° (h x v), which this unique horn provides, delivers an accurately defined coverage area on stage.
The M4 can also be operated in 2-Way Active mode. When the cabinet is used in an upright position the M4 serves as a powerful PA loudspeaker with a 70° x 50° dispersion suitable for a variety of applications.
The Hawk-Woods SL-1 is suitable for charging one Lithium-ion NP1 battery at a time. This is a low cost unit offering a compact solution as both a camera operators primary charger, or for those requiring a spare unit just for backup.Features
- Hawk-Woods NP1 battery compatible (NP-35/NP-65/NP-70/NP-75)
- Lithium-Ion charger only
- Single Channel
The Huawei E5172As-22 4G wireless router provides wireless connectivity for up to 32 users and also includes an RJ45 Ethernet LAN port for wired network connectivity as well as an RJ11 telephone port for the connection of an analogue telephone to make calls over GSM.
- LTE FDD/TDD/UMTS/GSM
- DL 150Mbps/UL 50Mbps
- WiFi connectivity via 802.11b/g/n, 2.4 GHz band, support up to 32 devices
- One Ethernet LAN RJ45 jack, 10/100 Mbps
- One analogue telephone RJ11 jack
- External 4G cellular antenna
- Redundant power supply supplied by backup battery
A high powered, high quality, ultra compact loudspeaker with a unique user-rotatable and interchangeable horn that lets the designer quickly select between eight directivity configurations. The ID24 brings unparalleled flexibility to the world of compact speakers with a cabinet that delivers trademark NEXO sound and performance, whether mounted horizontally or vertically.
Measuring just 309mm wide, 132mm high and 233mm front to back, the ID24 uses twin 4-inch drivers in a V formation, and is ideal as a full-range speaker, surround, delay, front fill or as a dedicated ‘sound beaming’ unit for difficult spaces.
Pioneer PLX-1000 features a high-torque direct drive system and multi-pitch control, all encased within a sturdy club-standard shell.
User-friendly Control Layout
The PLX-1000 provides a user friendly layout familiar to top DJs of the past and present, providing quick tempo control capability on the right side of the player, start/stop button on the left side, and a high-torque platter with a lighted speed guide
High-Torque Direct Drive System
The direct drive mechanism of the PLX-1000 provides high-torque resulting in stable rotation and exceptional control. The turntable can achieve a starting torque of at least 4.5kg/cm and can reach its fixed rotation speed within 0.3 seconds (at 33 1/3 rpm).
The RME MADIface XT is the world’s first USB 3.0 audio interface – and the world’s smallest portable interface that provides access to hundreds of audio channels in a highly portable package. For highest compatibility the XT also features a PCI Express port for connection to External PCI Express cards, providing the fastest interfacing technologies available for maximum channel count and lowest latency.
Three 64-channel MADI I/Os are accompanied by 4 MIDI I/Os, one stereo AES/EBU and a word clock I/O. To bring together the most complete I/O set for live or studio usage, two digitally controlled high-end mic/line preamps, two balanced line outputs and one stereo phones output, all fully 192kHz capable, were included.
RME MADIface XT main features include:
- 196 Input / 198 Output channels
- 2 x MADI I/O optical
- 1 x MADI I/O coaxial
- 2 x Analogue Mic / Line Preamp Input (XLR/Line TRS)
- 4 x Analogue Output (Main XLR + Phones)
- 1 x AES/EBU I/O via breakout cable
- 1 x MIDI I/O via breakout cable
ICM40 Induction Loop earpiece in beige.
|Size approx||20mm long|
|Freq range||300 – 5000Hz to IEC118-1|
|Distortion||less than 3%|
|O/P max SPL||120 DB +/- 2dB|
|Battery||Zinc Air 1.4V A10 or equivalent|
|Life of Battery||80 hrs +|
|Sensitivity||78dB @2kHz – 10 mA/M|
|Temp||-10 to +40 centigrade|
|CE Conformity||89/36/EWG-Electromagnetic Compatibility|
|Pull cord||Nylon filament with moulded bead|
Designed for high-definition field production applications, the Sound Devices MP-1 is a single channel microphone preamp that delivers studio grade audio in a portable, lightweight package. The unit features a transformer balanced XLR microphone input and line level output resulting in high gain and low noise floor. A large gain adjustment dial provides up to 66 dB of gain in eleven discrete steps.
A 3-position phantom power switch enables 12V or 48V phantom power for condenser microphones. A low-cut filter switch eliminates noise due to wind and proximity effect at 80 Hz or 160 Hz (user switchable). Peak limiter switch moderates signal peaks, eliminating distortion due to signal over load. The MP-1 is powered with 2 AA batteries for approximately 24 hours.
- Superb audio specifications
- 66 dB of gain, in eleven discrete steps
- Transformer-balanced input and output
- Phantom power – 48 volt or 12 volt
- High pass filter @ 80 Hz or 160 Hz, 6 dB/octave
- Limiter makes unit virtually “unclippable”
- High current line output drive
- Excellent immunity to RF interference.
- Battery power (two x AA)
- Durable mechanical construction
The Felloni Tecpro 50° High Output Bicolour LED Light runs on 576 LEDs and has a flood beam angle which makes gives lots of coverage at close range. Nearly doubling the amount of LEDs enables the Felloni to produce nearly double the output as compared to the Standard Version.
The bicolour LEDs are variable in fine steps from 3200 – 5600K, covering the tungsten to daylight balance range. This is the perfect light when speedy setup is of paramount importance. You can forget about fumbling with gels and gaffer’s tape and just start shooting.
A professional 100v line amplifier with a 60w output for commercial applications. Being 2U in height but only half width makes this one of the most compact amplifiers on the market today. Two microphone inputs in the form of 6.3mm jacks and a line input is all controlled via the rotary dials on the front panel. Speaker connections are binding posts and can be found on the rear of the amplifier. This amplifier can also be used in an 8Ohm configuration.
The Antares ATR-1a is a one U, rack-mountable hardware version of Antares’s Auto-Tune pitch correcting software. The ATR-1a uses state-of-the-art digital signal processing algorithms to detect the pitch of an input signal (usually a solo voice or instrument) and instantly change it to the desired pitch, and preserve all the expressive nuances of the original performance without distortion or artifacts.
Make Scale From MIDI – Simply play a series of notes into the Antares ATR-1a from a MIDI keyboard or controller and the ATR-1a automatically constructs a custom scale containing only the notes from your performance.
Expression – The ATR-1a’s Speed control ensures that the rate of pitch correction (i.e., the speed at which the input pitch is adjusted to the target pitch) can be matched to virtually any style of performance.
- 20-bit linear
- 56-bit internal processing
- 1/4 inch Phone foot switch jack
The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.
The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.
The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969.
With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.
Available in black or silver.
The C480 B is the pre-amp for the ultralinear series capsules, CK61, CK62, CK63, and CK69 ULS, and represents one of the quietest microphone amps ever built. The C480 B offers excellent audio quality and maximum flexibility. Its electronic circuitry coupled with a transformerless output stage assures completely linear transfer characteristics across the entire frequency range, while achieving self-noise figures close to the theoretical minimum.
A specially designed output stage drives difficult loads like excessively long cables without harming the signal quality. The C480 B offers a two-step high-pass filter and two gain stages of either -10dB or +6dB.
The C568 B professional small condenser capsule combines high directivity and a wide frequency range. It is a perfect tool for theater, sound reinforcement and film/TV applications. Due to its compact and lightweight design, the C568 B is ideal for camera-mount use.
Below 500Hz, it functions as a hypercardioid microphone; above 500Hz, the acoustic interference tube introduces increasing directivity. A switchable 12dB/octave 120Hz bass roll-off filter effectively suppresses impact and wind noise. The C568 B’s rugged, all-metal body contains the built-in pre-amp, which requires 9-52V phantom power. The package includes a special foam windscreen as well as a stand adapter.
The d&b D20 amplifier is a four channel amplifier ideally suited to applications which require low to medium Sound Pressure Level capabilities. The D20 features the same Digital Signal Processing (DSP) platform as the latest generation of d&b amplifiers, containing configurations for all d&b loudspeakers except the J-Series and the M2 monitor, plus a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft), which can be applied independently to each channel.
The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D20 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment.
The C747 V11 is a pencil-sized, studio quality, hyper-cardioid, condenser microphone with a flat frequency response and a clean off-axis response. Popular with broadcasters and installers for high quality lectern amplification, it is also good for guitar, piano, drum and overhead applications.
Excellent off-axis response allows the speaker to move without change in amplified sound, while the enhanced, hyper-cardioid polar pattern ‘eliminates noise from the sides’. The second generation of this microphone also boasts RF interference protection from mobile phones and wireless microphones. A fine tuned frequency response suits better pickup of voice.
The microphone, finished in ‘stage blue’ has a 3 metre captive cable, connected to an extended-length XLR connector containing a phantom power adapter. The adapter has a switch to enable a bass-cut filter for reducing footfall noise.
Output connector: 3-pin, male XLR. Applications: Conference and lectern, pulpits, broadcast and recording, on-stage pick up in theatre. Response: 30Hz-18kHz. Sensitivity: 8.5mV/Pa. Phantom power: 9-52V DC
The CK61 ULS professional small condenser capsule is characterized by a ruler-flat frequency response and an unmatchable consistent cardioid polar pattern. It is the ideal choice for critical recording and live-sound applications where consistent suppression of off-axis sound is an important requirement. The CK61 ULS is widely used in broadcast and recording studios as well as on stages worldwide.
The CK61 ULS works exclusively with the C480 B pre-amp. To ensure an extra-long life and a reliable connection, the capsule is equipped with large-area, self-cleaning, gold-plated contacts. Careful attention to detail and highest manufacturing standards make the CK61 Ultra Linear Series capsule the choice of experienced technicians worldwide.
The AKG CK62 is an omni-directional condenser microphone capsule designed for use with the C480 power supply module. As part of AKG’s Ultra Linear Series, the CK62 delivers the sonic performance and signal response required for professional recording and sound reinforcement applications.
The omni-directional pattern provides a generous pick area, allowing for greater ambiance capturing and signal response at the off-axis sections of the microphone. It’s wide, flat frequency response enables accurate reproduction of vocals, instruments, ambiance and more.
The Digico SD12 is a compact console with dual 15-inch touchscreens and 72 input channels. The SD12 is ideal for live touring, corporate events, installation, houses of worship, theatre and broadcast.
- 72 Input Channels
- 36 Aux / Sub-Group Busses
- LR/LCR Master Bus
- 12 x 8 Full Processing Matrix
- 2 Solo 119 Dynamic Equalizers
- 119 DiGiTuBes
- 119 Multiband Compressors
- 12 Digital FX
- 16 Graphic Equalizers
- Optional Waves Integration
- 48/96kHz Sample Rate
- Optional Optics