TERRY TEW ONLINE HIRE CATALOGUE
The Anchor Audio LIB2-X is a Liberty 2 portable PA system with Bluetooth and an AIR wireless transmitter. With 125W of rated output power driving a 10″ woofer and a ceramic compression driver to produce 117 dB SPL, it is designed to deliver versatile and powerful amplification for crowds of up to 1500 people in sports venues, educational facilities, and various indoor and outdoor events.
The built-in Bluetooth receiver allows streaming of music from your smartphone, tablet, or laptop. Two XLR-1/4″ combo jacks, a 1/4″ line input, and a 3.5mm stereo mini jack provide connectivity for wired mics, instruments, line-level sources, and non-Bluetooth devices. The balanced 1/4″ output can be routed to another PA system or an audio recorder, while the 4-pole speakON output can power a Liberty 2 companion speaker. Integrated mixer functions include volume controls and 2-band equalization.
The supplied AIR wireless transmitter enables cord-free connection to a compatible companion speaker. Power the Liberty 2 via AC power or the built-in rechargeable lithium-ion batteries, which offer approximately six to eight hours of operating time on a single charge. The integrated carry handle and pole mount simply physical setup of the system.
- 125W of rated output power through a 10″ woofer and a ceramic compression driver
- 117 dB maximum SPL reaches crowds of up to 1500 people
- Built-in Class-1 Bluetooth for streaming music from a mobile device
- Includes an AIR wireless transmitter for cord-free connection to a companion speaker
- Compatible with dual wireless microphone receivers
- Built-in rechargeable lithium-ion batteries provide approximately six to eight hours of operating time on a single charge
- Integrated pole mount and carry handle
- Made in the USA
This unique piece of hardware is able to convert between an impressive selection of digital interfaces – any to any, all at once.
Supported Audio Interfaces
- ADAT (8x), SPDIF/AES3 optical
- MADI optical
- MADI coaxial
- MADI-TP (up to 2 ports)
- AES50 (up to 2 ports)
- Dante / AES67
- and many more via breakout boxes (currently planned: Waves Soundgrid, AVB, AES3)
- 64×64 channels on each interface with channel-wise routing/splitting between interfaces
- Integrated headphone amp
- Asynchronous sample rate conversion (plug-in module)
- Fully remote-controllable via web, telnet and USB. Run Live Demo
- Extensible to future interfaces via break-out boxes
The Blackmagic Design UltraStudio Mini Recorder allows you to capture an SDI or HDMI camera signal and transfer it to your computer for editing and other applications. The Mini Recorder features SDI and HDMI inputs and a Thunderbolt output, and supports resolutions up to 1080p30 / 1080i60.
- 3 Gb/s SDI Input
SDI input connection for decks, routers and cameras so you can record amazing quality 10-bit video in SD and HD
- HDMI Input
HDMI input for amazing quality record direct from cameras, and set top boxes and gaming consoles
- Thunderbolt Connection
Get blazing speeds for recording SD and HD up to 1080iHD
Brio is the most powerful and compact digital broadcast audio console in its class. It has a comprehensive broadcast feature set to support a wider breadth of broadcasters, and the same market-leading levels of quality and customer support which Calrec is renowned for.
The smallest in Calrec’s Bluefin2 family, Brio’s control surface is unlike any other console. At only 892mm wide with a 36 dual-layer fader surface, Brio is entirely self-contained with analogue and digital I/O, and GPIO, built into the surface. Additional expansion I/O slots are also fitted to allow for further I/O to be connected. A Hydra2 module can be fitted to connect to and share audio over Calrec’s Hydra2 network.
This means Hydra2’s sophisticated management facilities can be utilised for network-wide control, including interfacing with multiple Video and Audio over IP networks such as SMPTE2022, Dante, AES67, Ravenna and Soundgrid. This protects the system against any future formats that may emerge and allows the console to sit on multiple networks simultaneously if desired.
With lots of delay resource, dynamics, integrated talkback, and multiple monitor outputs, Brio is broadcast-ready with no compromise or workarounds.
The H2Hub provides a network distribution node that can be used to connect from a router up to 4 x external connections which may be I/O boxes or other Hubs to form a local array of I/O connectivity.
A single connection from any router can be switched via the H2Hub to multiple I/O units, and even another H2Hub if further I/O distribution is required – in fact 3 x H2Hubs can be daisy-chained together. The H2Hub’s connection and distribution options make it ideal for forming ad hoc networks, especially when combined with the Fieldboxes and other Calrec I/O infrastructure.
Hydra2 provides seamless, scalable audio networking of audio mixing consoles with routers and I/O interfaces, allowing for a large numbers of inputs and outputs to be shared and controlled irrespective of location. Hydra2 does not compromise audio quality, performs with negligible latency and is founded on comprehensive, built-in fault detection and redundancy. Many of the world’s most successful broadcasters rely on Hydra2 infrastructure for live on-air application in both fixed and mobile installations every day.
At the heart of Hydra2 is the 8192² Calrec router (4096² on Summa and Artemis Light). Networks become more advanced when multiple routers are connected together to add additional mixing consoles, or to increase the amount of I/O connections available. Routers, mixing consoles and I/O can all be easily connected to the network as and when needed.
Hydra2 provides 1-to-n routing; input sources may be routed to any number of destinations in mixed formats, removing the need for external splits, distribution amplifiers and format convertors. Sources can be routed to multiple consoles, to multiple DSP inputs on each console and directly to output destinations all at the same time.
I/O units connect to a Hydra2 router via a fibre link and can carry 512 channels of 24 bit 48KHz audio in each direction simultaneously, along with control and error detection data. Bandwidth between routers can be increased in multiples of 512 channels by adding additional Hydra2 links between them.
The two-channel CEDAR DNS 2 hosts a DNS algorithm that requires nothing more than switching on the Learn function that identifies and adapts to the background noise, and dialling in the amount of noise attenuation required. Retaining the near-zero latency of all its predecessors, CEDAR DNS 2 is suitable for use in all situations.
CEDAR DNS 2 offers analogue line and microphone inputs (the latter with optional 48V phantom powering), an AES3/AES11 digital input and both analogue and digital outputs.
Key features of CEDAR DNS 2 DNS 2
- 12V power
- Floating point processor, 2.4 GFLOP/s, 40-bit resolution
- 24-bit resolution
- Sample rate (internal sync.) 48kHz
- Sample rate (external sync.) 44.1kHz, 48kHz, 96kHz
Balanced analogue line inputs and outputs
- Nominal level: +4dBu with 20dB headroom
- Gain range: -6dB to +54dB
- Dynamic range: > 102dB
Ultra low-noise microphone preamplifiers
- Gain range: +18dB – +78dB
- Dynamic range: >102dB (at 36dB gain)
The A32 Dante is the “fully loaded” Version of the A32.
As well as all the I/Os of the renowned A32 this model features 64×64 I/O of DANTE channels in addition, which makes integrating the device into an existing Dante network easy.
Of course it also offers all of the various features of the original A32.
- The A32 Dante offers an unrivaled flexibility due to its 32×32 A/D – D/A channels, optical and coaxial MADI ports, 32×32 ADAT I/Os (ADAT4 switchable to S/PDIF) and headphone output with monitoring matrix.
- The four hi-res TFT color screens give a detailed view of all digital and analog levels and settings.
- This is all complemented by an intuitive one-knob control and an always-on help system.
Converter and Routing Matrix
- Among converting various digital formats from and to analog inputs and outputs the A32 Dante also offers a sophisticated routing matrix.
- With the source-destination matrix, parallel format conversions (e.g. ADAT to MADI and Analog to Dante) can be realized next to other complex routings in the twinkling of an eye.
- Also, creating a merged DANTE stream consisting of analog, ADAT and MADI signals is no problem at all.
- The A32 Dante – a real problem solver!
- Sample rate from 32 kHz up to 192 kHz
- 32 x 32 analog I/O channels
- 64 x 64 DANTE I/O channels (2x RJ-45 Port)
- 64 x 64 MADI I/O channels (optical or coaxial)
- 32 x 32 ADAT I/O channels (8 x TOSLINK optical)
- Stereo S/PDIF optical I/O with sample rate conversion
- Wordclock I/O (BNC)
- Headphones output with monitoring matrix for mono-, stereo- and submix signals
- MIDI I/O (5pin) and MIDI-over-MADI
- Thermally compensated oscillator with proprietary active jitter reduction circuit
- Preset Management
- Analog Devices SHARC® DSP processes all 386 audio channels
- Sophisticated routing/mixing of all channels
- 4 x TFT Screens give a detailed overview of all settings and levels at a glance
- Intuitive one-key-control operating system
- Multilingual self-explaining always-on help system lets you use the A32 even without the manual.
- Redundant power supply configuration
Ferrofish have again delivered a fully featured, easy-to-use and affordable high-quality AD/DA converter in the shape of the new Pulse 16 DX. This is the natural progression from the Pulse 16 MX, but now with Dante through its two RJ45 connectors and expands any Dante audio network via its 16 AD/DA Cirrus Logic converters.
The new Pulse 16 DX offers the same sound quality, functionality and flexibility as the Pulse 16, and like the Pulse 16 MX offers a considerable channel count with the addition of MADI I/O; 16 x 16 balanced analogue inputs and outputs, 4 x ADAT I/O ports provide a full 16 x 16 channel operation even in 96 kHz SMUX mode, and 1 x MADI I/O (Optical) for transferring 64 x 64 discrete audio channels. MADI users are given the choice to operate in multimode or singlemode with easy-to-switch SFP modules that allow reconfiguration without the need of a factory modification.
The Ferrofish Pulse16 DX can also function as a format converter. For example, you are able to convert MADI to Dante or maybe add 16 analogue channels to an incoming MADI stream and route them onto your Dante network.
KA1-1 is built into a 2U, quarter-rack, light weight aluminum chassis. It is comprised of two input and four output channels providing up to 16 channels in a standard 2U rack space when mounted together. KA1-1 features optical limiters and protection against over temperature, over current and short circuits. The eDSP software allows you to manage EQ, Dynamics and signal levels in real time through a USB or RS485 connection to a computer. Edited parameters can be stored both on the internal memory and on any data storage device.
This compact overhead microphone stand is now even lighter and more stable. Thanks to a new leg combination and a new clamping element, its weight has been reduced to 3.8 kg. The leg base diameter of 1 m affords stability and safety. A range of different boom arms can be attached using the 3/8″ thread adaptor. The stand extends to a height of over 3 m.
The Lectrosonics IFB-R1A UHF Beltpack Receiver (interruptible fold back) systems are used for talent cueing and crew communications in broadcast and motion picture production. In other cases, the IFB system is used by directors and other management to monitor program audio during a production. The IFB R1a receiver provides simplicity and flexibility in a package that is intuitive for untrained users to operate.
The receiver is housed in a rugged machined aluminum package. An optional spring-loaded belt clip (shown at right) provides a secure mounting on a wide variety of belts, pockets and fabrics. The belt clip is removable to reduce its size and allow mounting into other types of bags and belt worn mounting systems common in field production.
The Lectrosonics IFB-T4 UHF Compact Transmitter was designed for use in broadcast, motion picture, theatre, and stage applications where extended operating range and high quality audio are essential. The IFBT4 can be used as a stand-alone device or patched directly into popular intercom systems.
Microprocessor control provides user-friendly operation and eliminates transients at turn-on and turn-off. The transmitter output is muted in the TUNE mode to avoid generating interference in other wireless systems while scrolling up and down to change frequencies.
The Mackie FreePlay LIVE Wireless Portable Speaker is a personal PA solution designed for effective use by musicians, presenters, and many more. With 150 watts of power driving a high-output 6” woofer and dual tweeters, the FreePlay LIVE is capable of providing exceptional audio quality brimming with power and dynamics with incredible clarity.
At the back of the FreePlay LIVE are dual 1/4” / XLR combo inputs for connecting sources such as instruments and microphones, as well as an 1/8” aux input for connecting playback devices. A 1/4” balanced monitor output enables you to send your mix to another powered speaker or mixer, whilst the speaker’s Bluetooth connectivity gives you the ability to wirelessly stream and playback music with ease. This stage-ready design features a precision-tuned ported moulded enclosure with a coated metal grille, ensuring superior durability, reliability and sonic performance.
Not plastic, metal. No muffled, mids-centric sound but tight low mids and present treble. No problem with feedback, spill or handling noise; instead, maximum flexibility for the voice: the e 835 is a solid choice for performers. Moderation and singing remain crystal clear and natural, even at varying distances from the capsule. Its extremely rugged construction and uncomplicated handling make the e 835 the first choice for rehearsal rooms, home recording or the stage. It has also become a top seller in its class everywhere that speech intelligibility is critical: lectures, presentations or conferences in auditoriums large and small alike.
The S-PTT version of the e 835 comes with a momentary on/off switch, that auto-mutes when released.
- Dynamic cardioid microphone for speech and vocals with noiseless momentary switch
- Microphone auto-mutes when button is not pressed
- Cuts through high volume levels
- Clear reproduction with a high presence
- Consistent sound quality (varying distances, moving off axis)
- Handles high sound pressure levels
- Isolates handling noise, hum compensating coil
- Excellent feedback rejection
- Rugged metal housing
The EK 1039 is an exceptionally rugged tourguide receiver. It is designed for applications such as guided tours, multi-language interpretation, assistive listening and command applications for example in the fields of sports. The EK 1039 can be used with all Sennheiser headphones and induction loops with a 3.5 mm jack plug. The handling and operation of the receiver is very easy and intuitive. To every channel can be a name can be assigned, which is stored and shown along with the channel number and battery status on the backlit display. The high switching bandwidth and compatibility with wireless transmitters of the ew G4 300/500 series and 2000 series make the EK 1039 extremely flexible and give it the highest level of transmission reliability.
Sennheiser EM 6000 2 Channel Receiver – No compromises, on any stage: With its large 244 MHz switching bandwidth, the EM 6000 2-channel digital receiver can find reliable transmission paths in absolutely any environment. Its renowned LR mode (shared with the masterpiece Digital 9000) ensures superior quality audio signals, even in the most demanding high frequency scenarios. Error correction and audio error masking recognize and fix problems long before they even become audible. This guarantees a reliable connection where other systems fail.
Through its equidistant frequency grid, Digital 6000 assures the simplest frequency configuration and excellent spectral efficiency. Thanks to the high intermodulation resistance, more channels can now be set up than ever before. Up to eight receivers can be cascaded directly from only one pair of antennas.
Maximum overview, quick setup, shortcuts to important functions: The concept for the new user interface on contrast-rich, white OLED displays comes from practical experience. All vital parameters are summarized at a glance. Important functions can be reached directly via home screens, without lengthy navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver. Of course, the Digital 6000 can also be monitored and configured via Wireless Systems Manager (WSM) software.
The MKH 20 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omni-directional microphones do not suffer from ‘proximity effect’.
- Exceptionally flat frequency response, switchable for near and diffuse field applications
- High-frequency response can be accentuated by means of a pressure build-up ring
- Slightly increasing directivity at high frequencies to adjust tonal balance
- Exceptionally low inherent self-noise
- Transformerless and fully floating balanced output
- Switchable pre-attenuation
- Black, anodised light metal body
This mini bodypack complements the Digital 6000 family, benchmark for challenging digital transmission technology in modern audio productions.
Developed and designed hand in hand with key customers around the globe, the all-new entirely digital SK 6212 meets the highest requirements and so much more.
For performers, stylists and directors, the SK 6212 is neither heavy nor conspicuous. It is as small as a matchbox and conveniently lightweight, has no sharp edges or corners and is discreet and easy to conceal.
Furthermore, engineers appreciate exchangeable batteries and antennas, as well as direct operability and a dependable transmission.
And even when things are taking a bit longer, don’t worry… the 6212’s operating time lasts unbelievable 12 hours.
The SK 6212 combines high expectations with the smallest possible design. It encapsulates hundreds of stories which we have heard from professionals in the world of theatres and music venues, large or small. Developed for today’s shows and equipped for the challenges of the future.
The AD4D-DC Two-Channel Digital Wireless Receiver from Shure features wide tuning, low latency, and high-density mode (HD), ensuring a solid performance in the most challenging RF environments. It can be used when paired with up to two microphones and AD series or ADX series transmitters to capture audio for live stage, theatre, rehearsal, and other sound reinforcement applications.
Tuning Range: 470-636 MHz
- Wide tuning range up to 184 MHz
- True digital diversity reception per channel for drop-out resistance
- Networked control with Wireless Workbench software and ShurePlus Channels iOS app
- Front panel headphone jack enables Dante Cue and Dante Browse monitoring
- Configurable Ethernet switch for redundant Dante or AES67 digital output
- Switchable XLR and AES3 outputs
- Channel quality meter displays RF signal-to-noise
The ADX1M Axient Digital ADX Series Micro Wireless Bodypack Transmitter from Shure is a portable UHF wireless bodypack transmitter with a LEMO 3-pin input connector. It can be used with Axient Digital Wireless Systems to capture audio when paired with a microphone and receiver (sold separately) for live stage, theatre, and rehearsal applications.
Featuring wide tuning up to 184 MHz, interference protection, and rechargeability, the ADX1M transmitter is built with a streamlined design and a high-contrast OLED display. The sealed buttons and LEMO connector offer protection against sweat and moisture ingress. Other features include two transmission modes, and ShowLink remote control for real-time parameter adjustment right from the booth.
ADX2/B58, like all ADX transmitters, sets the stage for exceptional performance, with wide tuning up to 184 MHz, interference protection, advanced rechargeability, streamlined design, and ShowLink remote control for real-time parameter adjustments right from the booth.
The ADX2/B58 is a handheld wireless microphone transmitter compatible with Axient® Digital Wireless Systems.
Tuning Range: 470-636 MHz
The CL-6 Input Expander from Sound Devices adds 6 balanced, line-level inputs to the 664 Production Mixer. The Input Expander connects to the top or bottom of the 664 and includes 6 full-sized fader controls, PFL control and highpass control. It also features dedicated L and R routing buttons for Inputs 7-12 on the 664 Mixer.
The large, backlit Record and Stop buttons provide convenient access to transport functions. Other features include large, daylight-viewable LED meters (with track arm indicators) for tracks L, R, X1, and X2. When the CL-6 is connected, the TA3 connections for Direct Outputs 1-6 on the 664 convert to balanced, line-level inputs. These Inputs are numbered 7-12 respectively. Routing, ISO Track arming, and Fader control all function identically to the 664’s main inputs.
Features and Benefits
- Adds six balanced, line-level inputs (via the 664 Direct Output connectors)
- Adds six full-sized tactile-touch fader knobs
- Sunlight-viewable LED metering
- Arm indication of L, R, X1 and X2 buses
- Big, backlit Record and Stop controls
- PFL / solo toggle switch per input
- Hi-pass filter per input
- Trim level per input
- Output routing to L, R, X1 and X2 buses
Sound Devices MP-1 (MP1) Portable Single Channel Mic Preamp with phantom, limiter & high pass filter. Powered from 2 AA batteries . Designed for high-definition field production environments, the full-featured studio-quality MP-1 is an ideal line-driver for critical radio, television, and film applications.
The MP-1 is extremely durable and easy to use. With rugged mechanical and electrical construction and high-quality components it will provide years of superb audio performance under the most punishing field conditions.
The Zoom H6 is the first-ever handheld field recorder with interchangeable microphones. The Zoom H6 features a 6-in, 2-out USB audio interface and 4 XLR/TRS inputs for external mic/line connections. Ideal for recording projects where you need to record easily from multiple sources, the Zoom H6 is the most versatile portable recorder ever. Just like a photographer would have an array of lenses in their bag so they could always achieve the shot they want, the H6 gives you the ability to swap and change microphones to achieve the best sound possible. Four interchangeable input capsules – X/Y, MS, Shotgun, and Dual XLR/TRS Combo – make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too.