TERRY TEW ONLINE HIRE CATALOGUE
A professional 100v line amplifier with a 60w output for commercial applications. Being 2U in height but only half width makes this one of the most compact amplifiers on the market today. Two microphone inputs in the form of 6.3mm jacks and a line input is all controlled via the rotary dials on the front panel. Speaker connections are binding posts and can be found on the rear of the amplifier. This amplifier can also be used in an 8Ohm configuration.
A-Box (Alexa Mini) adapts one 5 pin LEMO compatible connector to two balanced, 3 pin XLRs (female) with the highest quality, professional grade connectors. Note that Alexa Mini accepts two line level inputs only.
- includes a 19mm bolt on rod for attaching to any 3/8-16 threaded hole
- rod hole is natively 19mm
The AKG C414 B ULS is about as versatile as a condenser microphone can be, which is what’s made them a studio staple consistently over three decades. With four selectable polar patterns (cardioid, supercardioid, bidirectional, omnidirectional) on the front and three-position switches on the rear for attenuation and bass rolloff, the C414 B ULS is also the last of the 414s to make use of an output transformer. When compared to the more modern iterations of this mic (TLII, XLS, XLII, C214 and C314), the ULS has a bit more vibe and character to the sound while retaining that “natural” quality that’s made every version of the 414 what it is today.
This highly sought after omni has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation, and by picking up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is undeniably impressive for the vast majority of miking applications.
With the 4006, engineers, broadcasters and musicians alike can achieve extremely clean, natural and precise reproduction in a variety of applications. Ideal for A-B stereo pairs for symphonic concert hall recordings, the 4006 also excels on vocals and for close-miking instruments like grand piano, guitar, double bass and percussion.
A selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the 4006 to be acoustically transformed into different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.
The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.
The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.
The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969.
With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.
Available in black or silver.
The C480 B is the pre-amp for the ultralinear series capsules, CK61, CK62, CK63, and CK69 ULS, and represents one of the quietest microphone amps ever built. The C480 B offers excellent audio quality and maximum flexibility. Its electronic circuitry coupled with a transformerless output stage assures completely linear transfer characteristics across the entire frequency range, while achieving self-noise figures close to the theoretical minimum.
A specially designed output stage drives difficult loads like excessively long cables without harming the signal quality. The C480 B offers a two-step high-pass filter and two gain stages of either -10dB or +6dB.
The C568 B professional small condenser capsule combines high directivity and a wide frequency range. It is a perfect tool for theater, sound reinforcement and film/TV applications. Due to its compact and lightweight design, the C568 B is ideal for camera-mount use.
Below 500Hz, it functions as a hypercardioid microphone; above 500Hz, the acoustic interference tube introduces increasing directivity. A switchable 12dB/octave 120Hz bass roll-off filter effectively suppresses impact and wind noise. The C568 B’s rugged, all-metal body contains the built-in pre-amp, which requires 9-52V phantom power. The package includes a special foam windscreen as well as a stand adapter.
The C747 V11 is a pencil-sized, studio quality, hyper-cardioid, condenser microphone with a flat frequency response and a clean off-axis response. Popular with broadcasters and installers for high quality lectern amplification, it is also good for guitar, piano, drum and overhead applications.
Excellent off-axis response allows the speaker to move without change in amplified sound, while the enhanced, hyper-cardioid polar pattern ‘eliminates noise from the sides’. The second generation of this microphone also boasts RF interference protection from mobile phones and wireless microphones. A fine tuned frequency response suits better pickup of voice.
The microphone, finished in ‘stage blue’ has a 3 metre captive cable, connected to an extended-length XLR connector containing a phantom power adapter. The adapter has a switch to enable a bass-cut filter for reducing footfall noise.
Output connector: 3-pin, male XLR. Applications: Conference and lectern, pulpits, broadcast and recording, on-stage pick up in theatre. Response: 30Hz-18kHz. Sensitivity: 8.5mV/Pa. Phantom power: 9-52V DC
The CK61 ULS professional small condenser capsule is characterized by a ruler-flat frequency response and an unmatchable consistent cardioid polar pattern. It is the ideal choice for critical recording and live-sound applications where consistent suppression of off-axis sound is an important requirement. The CK61 ULS is widely used in broadcast and recording studios as well as on stages worldwide.
The CK61 ULS works exclusively with the C480 B pre-amp. To ensure an extra-long life and a reliable connection, the capsule is equipped with large-area, self-cleaning, gold-plated contacts. Careful attention to detail and highest manufacturing standards make the CK61 Ultra Linear Series capsule the choice of experienced technicians worldwide.
The AKG CK62 is an omni-directional condenser microphone capsule designed for use with the C480 power supply module. As part of AKG’s Ultra Linear Series, the CK62 delivers the sonic performance and signal response required for professional recording and sound reinforcement applications.
The omni-directional pattern provides a generous pick area, allowing for greater ambiance capturing and signal response at the off-axis sections of the microphone. It’s wide, flat frequency response enables accurate reproduction of vocals, instruments, ambiance and more.
The CK63 ULS professional small condenser capsule is characterized by a ruler-flat frequency response. Its consistent hypercardioid polar pattern provides unmatched channel separation, exceptional off-axis rejection and high gain before feedback. The CK63 ULS is widely used in broadcast and recording studios as well as on stages around the world.
The CK63 ULS works exclusively with the C480 B pre-amp. To ensure an extra-long life and a reliable connection, the capsule is equipped with large-area, self-cleaning, gold-plated contacts. Careful attention to detail and the highest manufacturing standards make the Ultra Linear Series modular system the choice of experienced technicians worldwide.
The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it’s predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction.
The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum.
In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.
This AKG D 190 E is a general purpose dynamic microphone, great for use in any type of occasion. This AKG microphone uses electromagnetic induction to produce superior quality sound, regardless of the user’s intended application. With its cardioid polar pattern, the AKG D 190 E allows the user to be clearly understood whether speaking or singing despite any background music, filtering out unintended noise. Using its shock mounted transducer, this dynamic microphone produces superior fidelity sound no matter where the source had come from.
Using the built in noiseless toggle switch, this AKG microphone allows the user to easily begin and end the performance without unintended sounds being transmitted accidentally, leading to a superior level of stage professionalism. With its die cast metal cylinder and matte finished nickel plating, the AKG D 190 E is an exceptionally durable microphone that will last through numerous shows of any intensity level.
The D58 E is a dynamic, hypercardioid, close-talking microphone for talkback and intercom applications. In order to improve speech intelligibility in noisy environments, the D58 E is tuned to a mid-frequency range. Thus it compensates for proximity effect and provides a flat response to near sources.
The D58 E is rugged and lightweight, operating over a wide range of temperatures and humidity. Using a dynamic capsule, the microphone does not require any powering.
Pioneer PLX-1000 features a high-torque direct drive system and multi-pitch control, all encased within a sturdy club-standard shell.
User-friendly Control Layout
The PLX-1000 provides a user friendly layout familiar to top DJs of the past and present, providing quick tempo control capability on the right side of the player, start/stop button on the left side, and a high-torque platter with a lighted speed guide
High-Torque Direct Drive System
The direct drive mechanism of the PLX-1000 provides high-torque resulting in stable rotation and exceptional control. The turntable can achieve a starting torque of at least 4.5kg/cm and can reach its fixed rotation speed within 0.3 seconds (at 33 1/3 rpm).
The CK91 high-performance small condenser capsule is characterized by a smooth and well-balanced frequency response and a consistent cardioid polar pattern. It is the ideal choice for critical live and studio broadcast applications where consistent suppression of off-axis sound is required.
The CK91 is part of the Blue Line Series and works exclusively with the SE300 B pre-amp module. Its robust Modulock bayonet coupling allows quick and easy changing of the capsules.
The XSP-15A powered speaker boasts a 15″, 2-way active loudspeaker and a 400W bi-amplifier system encased in a lightweight cabinet. It features a 1.75″ compression driver, time-aligned crossover, XLR and RCA balanced inputs, a built-in mixer, and an ABS nylon fiber cabinet with handle and full grill.
The ILD252 Loop Driver has been designed for a wide range of applications such as medium sized churches, conference rooms and similar. The equipment maintains the traditional Ampetronic standard of high quality vocal and music reproduction, while adding new features to improve performance and operational facilities.
Full monitoring of the operation, in addition to the comprehensive LED compression and current drive metering, now includes a novel system for monitoring of the loop condition, so that high-resistance and low-resistance loops are detected at power-up time. Continuous monitoring of overload conditions is also provided. Front panel LED’s indicate all conditions. The equipment is designed to be fail–safe.
A new addition is the provision of an integral adjustable corrector to deal with the frequency -dependent loss caused by metal in buildings.
The ILD252 uses constant – current driving of the loop which is necessary to ensure full compliance with all national and international standards. The equipment incorporates the necessary safeguards to ensure that all present EMC and safety regulations are fully met, under all practical operating conditions.
This model is designed to cover loop areas up to square areas of 250 square metres, or rectangular areas of over 400 square metres, depending on loop-aspect ratio.
The ILD300 is built in a half rack-width case. On the rear it has a single balanced microphone input using an XLR connector, with +15V phantom power available. A balanced line input is provided using a 6.35mm 3-pole jack socket, and an input / output using a 6.35mm three-pole jack for recording, slave and insert purposes. A mini-DIN connector provides an ancillary DC outlet, +/- 15V DC, for powering accessories such as Ampetronic’s pre-amplifiers, See Ampetronic Adapters and Pre-amplifiers. A preset control sets metal-loss correction. The IEC power inlet has an associated fuse, the loop output uses a detachable connector.
The front has recessed preset controls for sensitivity of the microphone and line inputs, drive current. Two four-LED displays indicate compression and loop current. LEDs indicate overload, over heat and loop error conditions. A 3.5mm stereo jack socket provides access to the actual audio signal in the loop for use with headphones. The power switch has an associated LED. It may be used free-standing or mounted in a rack or on a wall using accessory brackets.
The Ampetronic ILD9 Induction Loop Driver is designed to cover loop areas up to 500m². Several units can be connected together in Master Slave configuration for driving single turn loops covering much larger areas such as Cathedrals, sports halls and theatres. It can also be used for large conference rooms and other areas where specialised requirements apply. In these environments, the equipment can be used to drive phased arrays for low-spill operation. These specialised loop layouts can be designed by Ampetronic Ltd. who also supply the precision phase shifter needed for this work.
The MKH 418 S is an M-S stereo shotgun microphone. Its M-S format, compact dimensions, very good consonant clarity and good spatial representation make it ideally suited for every type of application in film, radio, television and reporting, both indoors and outdoors.
- Increased directivity due to interference system (M)
- Very low noise
- High sensitivity
- Symmetrically ungrounded output without repeater
- Convincing spatial representation
- Universal application due to M-S format
- Sturdy and very weather-resistant
- Full metal casing, matt black
The MegaVox Pro is considered the industry standard portable PA system on the market. It is battery powered, which makes its completely portable and versatile. Thousands report that it’s the most reliable portable public address system ever designed. With a powerful re-entrant horn driven speaker, the MegaVox Pro is ideal for voice amplification over long distances.
The MegaVox is stand mountable and includes a convenient shoulder strap for easy carrying. Standard Bluetooth, one wired mic, and a siren alert button are included with every MegaVox. The system also includes up to two built-in wireless receivers. The MegaVox has an optional built-in transmitter that wirelessly connects to one or more MegaVox AIR battery powered companion speakers. Use the MegaVox outdoors for speaking engagements, announcements, band practice, track meets, emergency preparedness, auctions, shooting ranges, military trainings, and more!
- Reaches a distance of 300+ feet
- 119 dB of clear sound
- 20W AC/DC mode
- Up to two built-in wireless receivers
- Optional built-in transmitter that wirelessly connects to one or more MegaVox AIR battery powered wireless companion speakers
- Standard built-in Bluetooth
- Signal alert button
- Built-in rechargeable battery operates 6 – 8 hours on a single charge
- High efficiency re-entrant horn driver
- External speaker output powers optional MegaVox Pro unpowered or powered AIR companion speaker
The Antares ATR-1a is a one U, rack-mountable hardware version of Antares’s Auto-Tune pitch correcting software. The ATR-1a uses state-of-the-art digital signal processing algorithms to detect the pitch of an input signal (usually a solo voice or instrument) and instantly change it to the desired pitch, and preserve all the expressive nuances of the original performance without distortion or artifacts.
Make Scale From MIDI – Simply play a series of notes into the Antares ATR-1a from a MIDI keyboard or controller and the ATR-1a automatically constructs a custom scale containing only the notes from your performance.
Expression – The ATR-1a’s Speed control ensures that the rate of pitch correction (i.e., the speed at which the input pitch is adjusted to the target pitch) can be matched to virtually any style of performance.
- 20-bit linear
- 56-bit internal processing
- 1/4 inch Phone foot switch jack
Shure’s P10R+ is a low-profile, diversity bodypack receiver for use with the PSM 1000 Personal Monitor System. With a hybrid analogue/digital architecture, the P10R+ twin-antenna diversity Bodypack Receiver offers the highest level of sound personalization yet, putting category-leading audio quality, robust RF performance and touring-grade features right at your fingertips.
Its advanced digital signal processing technology delivers unparalleled audio quality with more headroom, better stereo separation and higher fidelity. With premium features like full bandwidth RF scan, Precision Front-End RF Filtering and Automatic RF Gain Control, P10R+ meets the needs of professional audio applications of all sizes, including IEM and IFB applications.