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The ZED8i is a hybrid between a compact Mixer and 2×2 USB Interface. It’s the perfect choice for musicians and singer/songwriters who don’t need a lot of inputs, looking for a simple and compact mixer that offers durability, fantastic audio quality, plus the ability to simply record to a computer or laptop.
Compact and Gig Ready
Performing live gigs with need a super-compact portable rig, or playing and recording your ideas at home, ready to upload online? Just pull out the ZED-i8 from your bag, and setup in minutes. The ZED series use GS-Pre boutique preamps so that you get exceptionally low noise and plenty of headroom. This means your sound output to the speakers/recording will be clear, clean and sweet.
Mixer & USB Interface in One
The ZEDi-8 offers the best of both worlds, incorporating a studio quality 2 in / 2 out, 24-bit/96kHz USB audio interface for recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow. ZEDi-8 is class compliant with Mac and iOS.
Eighth-generation 6-core and quad-core processors. Faster 2666MHz DDR4 memory. All the latest ports, including Thunderbolt 3, HDMI 2.0 and available with up to 10Gb Ethernet. Super-fast all-flash storage is built-in so you can load giant files and launch apps faster than ever. The re-engineered Mac mini is the best performing yet. Ready for the desktop. And beyond.
MAGICBLADE R is a new design that offers continuous double rotation on PAN/TILT axes. Its unique feature is the layout of its seven RGBW LED sources in-line, paired with the highly intensive angle of the optics, which allow the creation of light curtains with genuine overall consistency. On stage, MAGICBLADE R’s very high centre beam intensity enables excellent visual perception of the beams in an environment saturated with light – vital in the creation of virtual décor.
AYRTON has opted for a compact design for MAGICBLADE R, with the primary objective of reducing the visual footprint of its luminaires. This allows MAGICBLADE R to be installed in many unique positions and, coupled with the individual control of the 7 RGBW LED sources, enables the creation of a multitude of new effects.
The Blackmagic Design HyperDeck Studio Pro 2 is a file-based deck that features the same functionality and control of professional tape decks. It records uncompressed video with 4:2:2 colour sampling at 10-bit in .mov format, and also records video using either ProRes or DNxHD codecs. With two SSD slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other. The Studio Pro features one 6G-SDI input & output for 4K signals, and three SD/HD/3G-SDI inputs & outputs. It supports Ultra HD 4K via HDMI. It also features analogue component in & out, with analogue audio in & out, and timecode in & out.
Take the HDMI output from laptop computers or consumer cameras and convert it to SDI for use with broadcast switchers, routers, monitors and more! The multi rate 3G-SDI automatically switches between all SD and HD formats up to 1080p60. You get 2 SDI outputs, support for Level A and Level B equipment, and power over USB!
Blackmagic MultiViews are the world’s first native Ultra HD multi viewers that let you monitor completely independent SDI video sources on a single HD or Ultra HD display! With full frame re-synchronization on every input, you can monitor any combination of SD, HD and Ultra HD formats and frame rates all at the same time, on the same display. When used with an Ultra HD television, the quad split view gives you four full resolution 1080 HD monitors on a single screen.
Blackmagic MultiView 4 has four completely independent 6G-SDI inputs that work with all SD, HD and Ultra HD formats up to 2160p30. Simply connect your sources and you’ll get a standard 2×2 grid view on an HD or Ultra HD television. Using the included Ethernet remote control software, you can turn on audio meters, choose which audio to output, as well as create custom labels, and more! MultiView 4 is compatible with the Teranex Mini Rack Shelf so you can use it on your desktop or rack mount it. You can also add an optional Teranex Mini Smart Panel for front panel control.
Multi view monitoring is perfect for massive control rooms with lots of incoming feeds, for live multi camera production or for use on location and in tight spaces that don’t have room for multiple monitors. With Blackmagic MultiViews you don’t need to connect multiple monitors, dozens of cables or run extra power to see all of your video sources! Simply plug your cameras, decks, switchers and routers into the SDI connections to see everything with amazing clarity and detail on a single HD or Ultra HD monitor.
Blackmagic Teranex Mini Smart Front Panel with Built in Colour LCD Screen & Push Button Controls. The Teranex Mini Smart Panel takes the guesswork out of using a converter. Now you can see the video going through your converter using the built in LCD screen. The panel also features push buttons and an easy to navigate on-screen menu that lets you quickly adjust and save settings. The Teranex Mini Smart Panel is perfect when you’re out in the field or on set without external monitors, or even when you have multiple converters mounted in equipment racks and just want to see what’s going through them all.
The DN1248 PLUS-DP from Klark Teknik is a twelve-channel active signal splitter that provides four discrete outputs, two of which are electronically balanced and two which are transformer isolated. The unit utilizes Midas Heritage series preamps that provide wide headroom and excellent sound.
Uses for the unit include the sending of stage microphones and instruments to the FOH mixer, while also sending feeds to the monitor mixer, and simultaneously to two outside broadcast/recording trucks. For instrument connection, appropriate DI boxes need to be used.
The front-panel contains the twelve inputs along with three of the outputs. Also on the front-panel are solo, pad and gain, ground lift and phantom power switches. The rear-panel provides the fourth output, along with duplicates of the input channels and output 1, wired in parallel. The duplicates are provided for connection convenience, and should not be used simultaneously.
The solo switches allow for monitoring individual channels via a front-panel headphone output. Multiple units can be linked, and the soloing of any channel on any unit can be monitored from any unit, thanks to solo bus connectors.
The DN1248 PLUS-DP features dual, redundant power supplies, providing a second, linked internal PSU to provide auto-backup in the case of PSU failure. The rear panel of this unit includes separate green LED indicators for each power supply. If one power supply fails then the corresponding LED will cease to illuminate.
- Twelve-channel microphone splitter with Midas Heritage series preamps, each feeding four discrete outputs
- Connector configuration allows instant system upgrade with no re-wiring
- Input connectors available in parallel on both front- and rear-panels
- Provides two electronically balanced and two transformer isolated outputs per channel
- Each channel can be soloed via dual mode operation. When pressed briefly, the solo function will latch on electronically – if the button is pressed and held, the solo is active only for as long as the button is held down
- Headphone amplifier for monitoring soloed channels includes volume control and six-segment LED bargraph
- Solo In/Out connectors allow multiple units to be linked and the solo system permits headphone monitoring from any of the linked units
- Each channel features separate +30dB boost and -15dB pad switches
- 48V phantom power available on each channel
- Ground lift switch per channel
- Provides dual-redundant power supplies for secure operation in the event of a PSU failure
The LG 75UM7110PLB 75″ Smart 4K Ultra HD HDR LED TV has an IPS 4K display so you can watch your favourite shows in vibrant details and vivid colours.
4K Active HDR
The UM7110 takes HDR even further with adaptable advanced HDR which adjusts each image so you always get the best contrast and the richest colours. Even older favourites get upgraded to the HDR levels – classic dramas never looked so good.
The HDMI interface was not designed to power external devices, but rather to supply sufficient power to complete the initial handshake, HDCP authentication and EDID Exchange. Whilst many source devices provide more than the specified 55mA to perform these functions, they do not always provide enough additional power to allow the operation of external HDMI accessories such as Active HDMI Cables, HDMI to VGA Converters and HDMI Fibre Optic Cables.
Connecting the HDMI Power Injector Cable overcomes this issue and allows you to provide additional power to such devices, by positioning the cable inline between the HDMI source and the HDMI Accessory and then connecting the USB cable to a USB port on your HDMI Source
The SRM150 combines Mackie’s proven mixer and SRM Active loudspeaker technologies to create a powerful, great-sounding 3-channel PA system that is ultra-compact, versatile and expandable. The Mackie SRM150 Compact Active PA System is ideal for a wide variety of applications ranging from boardroom A/V to live musical performance in coffee houses, piano bars, or rehearsals, just to name a few.
The Motorola DP4801e two way radio is part of the new E range of hand portables from Motorola, available for both UHF and VHF frequencies. Featuring 1000 channels, integrated Bluetooth, Wi-fi and GNSS (GPS and GLONASS) capability, and an easy-to-use full alphanumeric keypad with 5-line colour display, the DP4801e is an absolute workhorse of connectivity, enabling streamlined, productive communication for your whole organisation.
A two-way radio for challenging environments
Motorola has built the DP4801e to IP68 standards, which means the radio gives full protection against dust, dirt and sand ingress, and can withstand immersion in freshwater water of up to 1.5 metres for up to 30 minutes. If your team needs to rely on clear communication in the harshest of environments, the DP4801e two way radio is a robust and reliable option.
All buttons on the DP4801e, including a prominent orange emergency button, are easily accessible and large enough to be operated wearing gloves.
Improved range and battery life
The DP4000e series benefits from new technology which offers up to 28 hours of battery life (depending on the battery used) and with its improved receiver it boosts the range of the hand portable by up to 8% compared to previous models.
- IP68 Rated
- 1000 Channels
- Integrated Man Down Via Software Purchase
- Integrated Bluetooth 4.0 LE
- Integrated GNSS (GPS and GLONASS)
- Integrated Wi-Fi With Over The Air Software Programming and ADK Via Software Purchase
- Large Full Colour, 5-line Display Which Operates In Day Or Night Mode For Easy Viewing
- Tri-colour LED For Visual Feedback
- Easy To Use Menu Navigation
- Full Alphanumeric Keypad
- 5 Easy Programmable Buttons To Increase Efficiency
- Emergency Button
- Group, Individual and All Call Capability
- Digital Phone Patch Capability
- PTT ID
- Remote Monitor
- Basic / Enhanced Privacy
- AES256 Encryption Via Software Purchase
- VOX Capability
- Transmit Interrupt
- Lone Worker
- 5 Tone Signalling
- Option Board Capability
- TIA4950 Hazloc Certification Options
- Memory 128MB RAM and 256MB Flash Memory
- Support For Vibrating Belt Clip
The U87 condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.
Users recognise the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.
The U87 is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.
The RayPak for Beltpack Transmitter is used to send the signal from a TV presenter to the receiver over far longer distances than are possible with a low power beltpack wireless transmitter.
The RayPak is designed to be worn on a belt and can mount either vertically or horizontally, clipped into a backpack, or with the many optional fixings even to handlebars. A microphone or line level signal can be input via the 3 pin female XLR connector, and the antenna or antenna feeder cable are fitted to the BNC socket output. DC is input via a 4 pin XLR male connector.
The cascadable ADN PS Power Supply allows the extension of the conference and discussion system to up to 400 conference units. It also increases the failure-safety of the system by allowing redundant ring-cabling (redundancy rings) on its two double conference ports. Up to 40 units can be connected in two rings and up to 70 units in alternative branch cabling (daisy-chain branches). Status LEDs at the front of the 19“ rack-mount unit indicate the type of cabling to easily monitor the system.
Optimized for broadcast applications, the Sennheiser SK 2250 GW High-Power Bodypack Transmitter is the high-power version of the SK 2000 transmitter. It features an RF output power of 250mW and a detachable antenna with SMA connector for use with a remote antenna, which together ensure a reliable performance over increased distance.
The SK 2250 GW delivers a wide 25 Hz to 18 kHz audio frequency response that enhances the bass range for optimum transmission from bass guitars. It offers twenty fixed-frequency banks with up to sixty-four compatible presets, and six user banks.
The black Talk Switch for ADX2 and ADX2FD Handheld Transmitters from Shure is a screw-on talk switch for Axient Digital wireless handheld transmitters. It can be used when paired with a microphone capsule, a receiver, and an ADX2 handheld transmitter for live stage, theatre, and rehearsal applications.
Ideal for long-range deployments, the Ubiquiti UAP-AC-LR UniFi AC1300 dual-band WiFi 5 PoE access point offers simultaneous, dual-band operation with 3×3 MIMO in the 2.4 GHz band and 2×2 MIMO in the 5 GHz band. The innovative antenna design provides a long-range, symmetrical-link coverage area, and the antenna gain of this Ubiquiti UAP-AC-LR UniFi AC1300 AP performs better than one-way, high transmit power does for connecting distant clients. It is available in single, triple and five-packs, and can be configured with or without a hassle-free hosted cloud controller.
The Universal Audio UAD-2 Live Rack Core is a rack-mount unit with redundant power supply designed to run UAD-2 plug-ins in realtime for live sound situations. The UAD-2 Live Rack features a robust 16-channel MADI effects processor that allows live sound engineers to craft studio-quality mixes using Realtime UAD Processing and industry-leading UAD plug-ins.
The new Wisycom MPR52 Dual Channel Ultrawide Band Receiver is a two channel diversity receiver with up to 790 MHz bandwidth in 470/1260 MHz range and DSP Analogue & Digital Audio Outputs (AES3).
The MPR52-ENG is a compact two channels receiver designed for professional ENG applications. The new MPR52 has two built-in diversity receivers with both analogue and digital outputs. With up to 790 MHz bandwidth in the 470/1260 MHz range, the MPR52 features next generation multi-band front-end filtering.
The software selectable wideband and narrowband DSP-FM operation gives users options based on their project needs.
The receiver also offers convenient function buttons, including a dedicated frequency scan option.
Double the power with intuitive and hands-on control of up to 96 fixtures, and a touch monitor output to provide quick access to palettes and an overview of the show.
FLX S consoles are easy to learn and simple to use – delivering all the features you need at an affordable price. FLX S24 is flexible, offering a powerful LED and moving light controller in a small 19” unit with direct access to each of the lights in your rig. FLX S48 has double the power of the FLX S24 with intuitive and hands-on control of up to 96 fixtures, and a touch monitor output to provide quick access to palettes and an overview of the show.
Quickly and accurately control colour changing lights using the multi-touch colour & image picker, the encoder wheels or by selecting colours contained within a “mood” using Mood Boards by Lee Filters, and quickly record it straight onto any fader or one of the 48 (FLX S24) or 96 (FLX S48) instant-access colour palettes to recall later. Moving lights can be controlled using the multi-touch pan/tilt grid, the encoder wheels or with automatic effects like “Figure 8”, “Rainbow” and “Fly-In”.
From design to manufacture, FLX S24 and FLX S48 have been developed to work in a wide range of applications, with specific considerations for education, houses of worship, fringe theatre, community venues, corporate events, concerts, rental, fashion, festivals, holiday parks, cruise ships, TV and many more…
Built in tools such as Patch Wizard and Auto Palettes do all the prep work, getting you ready to operate quicker than ever before. Programming time is reduced with a simple three-step programming method for moving lights, colour changing and conventionals – what you want, how you want it, where you want it. And for all those really important features you need over and over again – you always have direct instant access via the dedicated Z button.
AdaptEar® is a discrete device that plugs in line between a PMR or broadcast communications system and the users earpieces. It provides the user with protection against high sound levels.
To provide maximum protection the sensitivity of the AdaptEar® should be adjusted before use, by the user, to match the sensitivity of the earpieces they are using and the intended listening period. Providing the user with the ability to change the sensitivity, allows them to set AdaptEar® for use with different earpieces, for example some AdaptEar® users have generic earpieces for low ambient noise conditions, changing to custom moulded in ear monitors with custom moulded attenuators for high ambient noise environments.
In operation excessive signal levels from the PMR or broadcast communications system are limited and cause the limiting light of the AdaptEar® to flash or illuminate, not only informing the user that limiting is taking place and they are protected but also that they might be advised to turn down the volume of the source. This feature also enables the user to test the unit is operational before use.
AdaptEar® allows the user to safely connect earpieces, using the appropriate Factory Accessories cables to a wide range of communications devices.
AdaptEar® has two inputs, a 6 pin latching miniDIN primary source and a 4 pole 3.5 jack Aux In for a secondary source which enables the simultaneous connection and monitoring of other audio sources.
A professional 100v line amplifier with a 60w output for commercial applications. Being 2U in height but only half width makes this one of the most compact amplifiers on the market today. Two microphone inputs in the form of 6.3mm jacks and a line input is all controlled via the rotary dials on the front panel. Speaker connections are binding posts and can be found on the rear of the amplifier. This amplifier can also be used in an 8Ohm configuration.
The AKG C414 B ULS is about as versatile as a condenser microphone can be, which is what’s made them a studio staple consistently over three decades. With four selectable polar patterns (cardioid, supercardioid, bidirectional, omnidirectional) on the front and three-position switches on the rear for attenuation and bass rolloff, the C414 B ULS is also the last of the 414s to make use of an output transformer. When compared to the more modern iterations of this mic (TLII, XLS, XLII, C214 and C314), the ULS has a bit more vibe and character to the sound while retaining that “natural” quality that’s made every version of the 414 what it is today.
The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use.
The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.